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September 29th, 2019

9/29/2019

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More Froud

9/20/2019

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Today's exercise is changing the lighting on Oak Man, that I first worked with two days ago, an image from Brian Froud's  The Faerie Oracle.  I drew it in pencil, heightened the contrast in Photoshop, printed several on cardstock and watercolor it.  I made a relief sculpture of the image and lighted it from different directions, and today watercolored one of the prints using these shadows.  I had to use white acrylic to change some of the highlights since the original drawing was shaded from a different direction, but that was not too much of a challenge.  This was fun!   maybe I'll make some of my own original sculpts and light them and try a drawing... I always find sculpture much easier than making up stuff with pencils.  I really don't understand how some people can do that so easily. 
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Calligraphy

9/19/2019

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Calligraphy was the first art I made money with, back before airbrushing.  It was just names on certificates, before a computer would do that nicely, another handmade thing that has gone away.  It was tedious as hell, and painting names on t-shirts with rainbows or a palm tree in the background felt - and was - much more rewarding, but it was still calligraphy.  In seventh grade I had an art teacher who had actually studied calligraphy in college and used it in her curriculum, and it was so easy.  Funny to watch fellow students work at trying to hold a dip pen, as if that wasn't the most natural thing in the world.  Many years later, following directions from "Many Lives Many Masters" from Brian Weiss, I tried self hypnosis past life regression and got, among other things, sitting in a small room copying manuscripts (my neck hurt abominably).  I am drawn to illuminated manuscripts but highly critical (sloppy job, that...) and appreciate the good stuff.    I've been wanting to do it again, but the only thing that is appealing to me is Rumi quotes and I'm wondering if, like a lot of other art I'm drawn to, if this isn't that sneaky little higher voice wanting me to touch the mind of the master and get on another page, and if I have to write over and over "wherever you are and whatever you do, be in love."  until I get it, so be it.  Some students are more stubborn than others and you just have to put them at the chalkboard writing sentences.   All day. 
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A Very Busy Day!   Thank you, Brian Froud

9/19/2019

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This has been a curious day of picking up enough crumbs to see if it makes a cookie.  For some time now, as I wound up my easel painting career, I've been wondering if there wouldn't be some way to use the techniques I've learned and adjust them to teach children, who I feel are hugely underserved in arts training.  I was lucky in a way, although there was no artistic bent with my parents my mom was advised to get me art lessons as early as first grade since I needed something that I was good at and I at least got to experience a lot of different materials.  The lessons themselves were stifling.  Later on I could see that formal academic training could be even more so and escaped to find my own way.  I usually just copied other things, rather subconsciously drawn to people who draw, rather than people who paint.  I like forms and objects.  Copying old masters for years gave me a lot of clues about how formulaic they could be.  Pretty obvious that you don't teach imagination.   So that's background.  How to teach skills without crushing imagination.  When I was a kid a lot of people copied Disney, and to this day do Disney eyes on everything.  Now it's anime and manga, and that looks like even more of a straightjacket.   Add in a new current obsession, the online tarot readers.  I gobble them up like potato chips and one popped up who said she got into this because of her Brian Froud cards.  BRIAN FROUD CARDS??????   I've been genuflecting in front of Froud art for forty years.  It is one thing my husband and my son and I completely agree on - and there are cards.  I didn't finish the tarot reading before I bopped on over to Amazon and one clicked my way to my own, and they got here two days ago.  I loved on them a couple of hours before bedtime and woke up with the idea that this might be something that could be used by gifted kids to learn to draw.  Copying a Froud drawing, a new master if you will, would still be solid drawing and great forms and leave imagination intact since it isn't all alike, and is really appealing for the kind of mind that likes to keep moving that pencil around.  So I scanned a card, the card that popped when I asked, Oak Man.  Printed it out with a grid, gridded my paper and sketched it in pencil, scanned, upped the contrast and printed it again, then watercolored it.  I will note here that I didn't do a great copy, my proportions are off, and it doesn't matter.  So much more relaxing than practicing with the Mona Lisa!! Next I did a relief sculpture of it and lit it from each side.  I haven't painted the shaded variations yet, but I got pictures of everything so far.    I asked the cards how I did and got "The Singer of Initiation" and that sounded just exactly right.  Great cards.  
Also, my son initiated, today, his first podcast with his buddy - the subject they chose was The Dark Crystal Netflix series...  seems it is very Froudian around here.  Saturn went direct today, a powerful thing. 
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2019 show, the yearbook

9/12/2019

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Saturday, September 7 2019 I had a one person show at Jefferson Arts Gallery in Monticello, Florida.  It will be my last show, and was, in effect, my yearbook.  It was one year worth of everything I wanted to do for many years but was too wrapped up with commissions to get around to.  It was an exploration to see if anything could hold my interest for more than a couple of paintings. Nothing could. Once on the walls it was easy to see why painting has always been a frustration to me - I'm just not a painter, I'm a draftsman who occasionally colors the drawings.  That's why there are rarely landscapes, and no successful ones... I can't see that stuff. I literally cannot see the forest for the trees.  Now I have a room full of paintings to deal with, so they are a storage problem.  I don't expect much to sell, they are like diary pages. I understand the emotional content, specific to me, of every single one - but that doesn't make them appealing in general. I am glad I did this. The hungry inspiration birds have been fed, the bag is empty, time to leave the beach with a light heart.
 I've already ordered fresh new calligraphy supplies, going back to a very old love, illuminated poetry.  The first one I will be working on is a quote from Rumi:   "Wherever you are, and whatever you do, be in love."  ( with orchids.) 
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